So I wanted it to feel like he was going through something, that the man was having a proper breakdown of sorts. “I wanted it still to feel like it was honest, otherwise it’s just a silly bit, which is funny, but it doesn’t really come from somewhere. It’s a story of an emotionally immature person very slowly and awkwardly becoming a bit more mature.”ĭunster says his most challenging scene this season was the one in which he tells Roy Kent (Brett Goldstein), with whom the evolving bromance was a central arc this season, that he’s lost his wings, i.e., his mojo. He always had the potential to be this guy, but it was shrouded in so much pain and confusion about himself and his understanding of how to get what he asked for. But we all know people who are really direct and honest, but it comes from a place of love. In the past, that was coming from a place of selfishness or conceitedness, and it meant that people around it didn’t like him. “His tendencies changed, but he was still fundamentally the same person,” Dunster tells THR. Two of the Biggest Hits of the Year Won't Compete at the Grammy Awards - Here's Why (Exclusive)įor audiences watching the third season - still unclear whether it’s the last, given that the show’s creators have repeatedly said they envisioned a three-season run for Jason Sudeikis’ title character - it was a refreshing full-circle moment to see Jamie’s arc change like this, and even Dunster didn’t quite see it coming (the cast didn’t receive all the scripts at the start of the season), although he’s extremely “pleased” with Jamie’s progression.
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